Peter Tillberg, Will You Be Profitable, Little Friend? (Blir du lönsam, lille vän?), 1972. © Peter Tillberg/Bildupphovsrätt 2026
Photo: Åsa Lundén/Moderna Museet

Will You Be Profitable, Little Friend?

Swedish Art 1945–1979 in the Moderna Museet collection

Stockholm, 13.6 2026 – 16.1 2028

Moderna Museet’s new exhibition of works from the collection borrows its title from Peter Tillberg’s well-known painting “Will You Be Profitable, Little Friend?” (1972). The exhibition features around a hundred artworks from the period 1945–1979, many of which have had a central place in the museum’s exhibition history since its opening in 1958. For many visitors, it means an opportunity to revisit familiar artworks, while younger ones get the chance to discover them for the first time.

The Moderna Museet collection contains a strong representation of Swedish art from the post-war period. The exhibition “Will You Be Profitable, Little Friend?” highlights the diversity of artistic expressions and moods that characterised the era, when Swedish society and the surrounding world were changing at a rapid pace.

Experiments and social commentary

Among the participating artists are Carl Johan De Geer, Siri Derkert, Öyvind Fahlström, Staffan Hallström, Åke Karlung, Eva Klasson, Beth Laurin, Evert Lundquist, Lennart Rodhe, Ulrik Samuelson, P O Ultvedt, Ulla Wiggen and Barbro Östlihn.

A key work in the exhibition is P O Ultvedt’s newly renovated “Manhattan Twenty Years Later” (1963–1983), a mechanical installation with motors and a coin slot.

Matilda Olof-Ors, curator of the exhibition, describes the range of artistic expressions:

Some artists delve into formal experimentation and abstraction during this period. Others explore inner and outer worlds or use fiction as a way to comment on the contemporary world. The focus is also on power relations and norms, as well as on the possibilities of art to change society.

A contradictory time and social commentary

The works in the exhibition were created in a contradictory time: after the end of the Second World War, Swedish artists were once again able to travel the world and gain new impressions. Swedish society was rapidly modernising, and the vision of the welfare state and the People’s Home was largely realised. Over time, optimism turned into a more complex reality, with the arms race between the superpowers the United States and the Soviet Union, as well as many social and political issues that required a stance.

Matilda Olof-Ors continues:

A need for new ways of understanding and representing the world arises here. In art, there is a noticeable impatience with established traditions, and many Swedish artists are influenced by international currents – but make them clearly their own.

The exhibition “Will You Be Profitable, Little Friend?” follows on from the story of Swedish art that Moderna Museet began with “Pink Sails – Swedish Modernism in the Moderna Museet collection” which opened in June 2023, also with Matilda Olof-Ors as curator.

To the full-length press release (PDF)

Note. More press images to come.

Peter Tillberg, Will You Be Profitable, Little Friend? (Blir du lönsam, lille vän?), 1972. © Peter Tillberg/Bildupphovsrätt 2026
Photo: Åsa Lundén/Moderna Museet
Gerhard Nordström, Sommaren 1970. En utflykt i det gröna., 1972. © Gerhard Nordström/Bildupphovsrätt 2026
Photo: Moderna Museet
Carl Johan De Geer, Skända flaggan, 1967. © Carl Johan De Geer 2026
Photo: Åsa Lundén/Moderna Museet
Beth Laurin, Tillstånd VI, 1969/1970 © Beth Laurin/Bildupphovsrätt 2026
Photo: Prallan Allsten/Moderna Museet
Anna Sjödahl , Centraldatorn i Sundsvall, 1978. © Anna Sjödahl 2026
Photo: Tobias Fischer/Moderna Museet
Agneta Ekman, From the series Tall-Maja., 1967. © Agneta Ekman Wingate/Bildupphovsrätt 2026
Ola Billgren, Korridoren, 1969. © Ola Billgren / Bildupphovsrätt 2026
Photo: Moderna Museet
Nikolaus Blind, Självporträtt, 1955. © Nikolaus Blind 2026
Photo: Tobias Fischer/Moderna Museet
Lennart Rodhe, Skogen, 1977/1979. © Lennart Rodhe / Bildupphovsrätt 2026
Photo: Albin Dahlström/Moderna Museet
Jan Håfström, Farmor, 1972. © Jan Håfström/Bildupphovsrätt 2026
Photo: Tobias Fischer/Moderna Museet
Hans Viksten, Poeten, 1977. © Hans Viksten/Bildupphovsrätt 2026
Photo: Tobias Fischer/Moderna Museet