Francesca Woodman began photographing in her teens and studied at the Rhode Island School of Design from1975 to 1978. Her output is usually divided into periods, from her early works, her years as a student in Providence, Italy (1977-1978), the Mac Dowell Colony, and, lastly, New York from 1979 until she died. The collection she left behind consists of a few hundred gelatin silver prints, but she also tried other techniques, such as large-format diazotypes, colour photography and video.
Woodman’s photographs explore gender, representation, sexuality and body. Her production includes several self-portraits, using herself and her friends as models. The figures are often placed behind furniture and other interior elements; occasionally, the images are blurred in such a way that their identity is hidden from the viewer. The intimate nature of the subject matter is enhanced by the small formats. Woodman worked in unusual settings such as derelict buildings, using mirrors and glass to evoke surrealist and occasionally claustrophobic moods.
Moderna Museet will present some hundred photographs by Francesca Woodman, with a selection from the series and themes she explored. The exhibition is produced by Moderna Museet in association with Betty and George Woodman and the Estate of Francesca Woodman.
Curator: Anna Tellgren
The exhibition was presented at Moderna Museet in Stockholm 5 September-6 December, 2015. Then it went on tour to: