
Bruno Hibombo as Past Lo Ting. Lap-See Lam, “The Altersea Opera”. 2024 Photo: Mai Nestor/Moderna Museet. Textile work © Kholod Hawash. © Lap-See Lam. Courtesy the artist, Galerie Nordenhake and Moderna Museet.
The Altersea Opera
The Nordic Countries Pavilion
20.4 2024 – 24.11 2024
Stockholm
Vast ocean beneath a misty sky. A creature of both water and land is praying to the sea goddess Ma-Zhou when he accidentally summons a dragon ship which takes him on a journey beyond time and space.
For the 60th International Art Exhibition – La Biennale di Venezia, the Nordic Countries Pavilion invites us to embark on a journey aboard a spectral dragon ship which occupies the light and open architecture of Sverre Fehn’s meditative masterpiece in the Giardini of the Biennale, Venice.
The 38 metre long bamboo structure, which extends beyond the confines of the Pavilion, is book-ended by a huge and ornate dragon’s head prow and tail, which has voyaged from its mooring on the frozen waters of the Stockholm Archipelago to the Venetian Lagoon.
Conceived and conceptualised by Swedish artist Lap-See Lam, and realised in collaboration with Norwegian composer Tze Yeung Ho, Finnish textile artist Kholod Hawash, The Altersea Opera is a poetic exploration of the existential implications of displacement and belonging which veers between the real and the imaginary.
At the centre of the installation, and brought to life by a film shot on board the Sea Palace, we find Lo Ting – half fish, half man – a figure from Hong Kong mythology reimagined across the passage of time through Lam’s script that tells the tale of his longing to return to a former home, Fragrant Harbour – only to find it transformed beyond recognition.
The Altersea Opera
A richly layered audio-visual installation, “The Altersea Opera” is inspired by the spirit of the Red Boat Opera Company – the travelling opera troupe which popularised Cantonese opera in the 19th century. Visitors become passengers as they cross the threshold into the skeletal vessel, powered by magical sails made of stories and filled with mythological water creatures trying to find their way back to the places of their past.
Lap-See Lam’s research for the creation of the opera’s dragon ship took her to Hong Kong, and she has worked closely with master bamboo scaffolder Ho Yeung Chan. For centuries, bamboo scaffolding has played an important role in the cultural and architectural history of the region, and has been used to build temporary stages for Cantonese opera, a celebrated art form in Guangdong province in southern China.
The dragon ship is inspired by Floating Restaurant Sea Palace, a three-storey vessel built in Shanghai and towed to Gothenburg in 1991. When the business failed, it took on an afterlife as a ghost ship at the Gröna Lund theme park, where Lam discovered it in a dilapidated state before it was moved to its present home in a remote boatyard.

Poetry, lullabies, and pop songs
The haunting composition by Tze Yeung Ho, which combines extended playing techniques with baroque ornamentation, is performed with an eclectic array of instruments. The piece blends the libretto, written by Lap-See Lam (with contributions by Ivan Cheng as Future Lo Ting) with poetry, lullabies, and pop songs that draw on the artists’ diverse cultural histories.
Kholod Hawash‘s textile works form a sculptural installation in the Pavilion. Her embroideries conjure a distinctive world of motifs, sewn stitch-by-stitch through jodaleia and tatreez (Arabic for quilting and embroidery), with elements from folktales and archaeological landscapes.
La Biennale di Venezia 2024 takes place from Saturday 20 April to Sunday 24 November 2024.
Lap-See Lam
Lap-See Lam was born in Stockholm, Sweden, in 1990, where she lives and works. She obtained her master’s degree in Fine Art in 2020 from the Royal …
Lap-See Lam

Tze Yeung Ho
Tze Yeung Ho was born in Oslo, Norway, in 1992 and commutes between Oslo and Helsinki. He holds a doctoral degree from the Estonian Academy of Music …
Tze Yeung Ho

Kholod Hawash
Kholod Hawash was born in Basra, Iraq, in 1977 and lives and works in Espoo,
Finland. For many years she was working as an illustrator of children’s …
Kholod Hawash

Acknowledgements
Acknowledgements

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“The Altersea Opera” is curated by Asrin Haidari, Curator of Nordic Contemporary Art at Moderna Museet, Stockholm.
The project was initiated by Moderna Museet in collaboration with the Office for Contemporary Art Norway (OCA) and the Finnish National Gallery Kiasma (Museum of Contemporary Art).
For press inquires please visit the press room: The Altersea Opera
The project was made possible thanks to the following partners:
Major support:
The Barbro Osher Pro Suecia Foundation
The Nordic Circle:
Åke Bonnier and Kristina Gustafsson
Thomas and Mari Eldered
John and Camilla Lindfors
Renée Aguiar-Lucander
Per and Ulrika Hillström
Per and Lena Josefsson
Svante and Sophie Påhlson-Möller
Rafaela Seppälä
PO Söderberg and Katarina Waldenström Lagerbielke
Jacob Wallenberg and Annika Levin
The Fund of Lise Wilhelmsen Art Award
Generous support:
Galerie Nordenhake Berlin | Stockholm | Mexico City
The Swedish Film Institute
IASPIS, the Swedish Arts Grants Committee’s International Programme for Visual and Applied Arts
Göteborgs Stad
Alfred Kordelin Foundation
Project partners:
Elektronmusikstudion EMS
Genelec
Gröna Lund
Högmarsö Varv
Icebug
Ljud & Bildmedia
Sidenkompaniet
Statens fastighetsverk
Special thanks to:
Johan Wang for allowing us to host the Dragon in Venice