installation view with paintings and sculptures on floor

From the left: Toyen, The Myth of Light/Mythe de la lumière (1946) © Maria Cermínová; Susanna Marcus Jablonski, Deep (2020) © Susanna Marcus Jablonski ; Wifredo Lam, Tropical Growth (1945/1948) © Wifredo Lam; Constantin Brancusi, Le Nouveau-Né II (1919–1921) © Succession Brancusi. Foto: My Matson/Moderna Museet Bildupphovsrätt 2024

Previous Conversations in the Collection

In previous “Conversations in the Collection”, we have reflected on drawing as an art form in the exhibition “Yet Another Morning – Drawing in the Moderna Museet Collection”. We have explored the significance of surrealism in the exhibition “The Subterranean Sky”, and then discussed the life and work of art collector Rolf de Maré in relation to the exhibition “Pink Sails”.

Conversation in the Collection: Yet Another Morning

In the third part of “Conversations in the Collection”, artists Astrid Göransson and Oskar Korsár reflected on drawing as an art form. We listened to the artists talk and exchange experiences about the creative impulse behind drawing and what it is like to work within the genre. They participated in a conversation with Annika Gunnarsson, curator of Yet Another Morning – Drawing in the Moderna Museet Collection, and curator Ylva Hillström.”

The exhibition “Yet Another Morning – Drawing in the Moderna Museet Collection” shows a wide variety through hundreds of works by Swedish and international artists, with everything from “pen on paper” to drawings that come to life in completely different materials and expressions.

The conversation took place in the exhibition “Yet Another Morning – Drawing in the Moderna Museet Collection” on 15th Mars 2025.

Drawing by Oskar Korsár
Oskar Korsár, The Misfits, 2006 © Oskar Korsár. Photo: Albin Dahlström/Moderna Museet
Drawing by Astrid Göransson
Astrid Göransson, …nästan som en i familjen, 2007 © Astrid Göransson Bildupphovsrätt 2025

Conversation in the Collection: Pink Sails

In the second part of “Conversation in the Collection,” Erik Mattsson, deputy museum director and curator at Dansmuseet, and Matilda Olof-Ors, curator at Moderna Museet, engaged in a discussion about the visionary art collector Rolf de Maré. The conversation took place in the exhibition “Pink Sails – Swedish Modernism in the Moderna Museet Collection” on 15th February 2025.

Rolf de Maré (1888–1964) began collecting art in 1914 and built up an impressive collection of works by the innovative artists of the time. With the help of his friend Nils Dardel and his contacts in 1910s Paris, including the art dealers Wilhelm Uhde and Alfred Flechtheim, de Maré acquired art of the international avant-garde.

Rold de Maré donated large parts of his collection to Moderna Museet. Through the donation, several important works by the international avant-garde were added to the museum’s collection, including Pablo Picasso’s “Guitar Player”. This and several other works are now exhibited in the exhibition “Pink Sails”.

Installation view over white walls with the two artworks Jean Börlin i Siamesisk Dans (1919) and Den döende dandyn (1918) in wooden frames
Nils Dardel, Jean Börlin in Siamese Dance (1919) and The Dying Dandy (1918) Photo: Mattias Lindbäck/Moderna Museet

Conversation in the Collection: The Subterranean Sky

This year, 2024, marks one hundred years since the French poet and writer André Breton wrote the first Surrealist Manifesto. Here, Surrealism was defined as a form of thought beyond the rational, free from aesthetic and moral obligations. For over a hundred years, Surrealism has branched through art history. In the exhibition “The Subterranean Sky – Surrealism in the Moderna Museet Collection”, you can see works from classic Surrealism alongside contemporary artists exploring the subconscious and the irration

On Saturday 30 November 2024, the artists Cecilia Germain, Fatima Moallim, and Lotta Antonsson met with curator Lena Essling. All three have works featured in the exhibition “The Subterranean Sky – Surrealism in the Moderna Museet Collection”. Together, they reflected on surrealist elements in their own art and the movement’s influence today.

photo of book-age in orange black text
André Breton, The Surrealist Manifesto/Manifeste du surréalisme, 1924 Including illustrations by Max Ernst.
Paris: Éditions KRA, Nobelbiblioteket. Photo: My Matson/Moderna Museet.

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