For over five decades, John Baldessari (1931–2020) explored the relationship between text and image and what emerges when the two are brought together. His conceptual artworks often have an underlying streak of humour and irony. The exhibition spans Baldessari’s entire career and shows the breadth of his artistic practice: you will encounter paintings, photographs, the moving images and the traces of performative acts.
Curator Matilda Olof-Ors introduces the exhibition John Baldessari.
I Am Making Art
Throughout his artistic career, Baldessari was interested in the nature of art, how it is made and what it looks like. Language and text became fundamental tools for him, as well as many other artists, who in the 1960s emphasised the idea behind an artwork rather than its aesthetic qualities. In the video piece ”I Am Making Art” (1971), which is also included in this exhibition, Baldessari moves stiffly in front of the camera, constantly repeating the statement “I am making art” with a different emphasis on the words every time – a nod at conceptual art and the notion that all actions can be art.
In many of John Baldessari’s artworks the actual selection process is a central theme. Among the works presented in the exhibition, there are examples of how Baldessari entrusts the choice or decision to someone else or chance, or how he sets up playful rules that limit the choices that shape the artworks.
Criticism aimed at conceptual art for just “pointing at things” inspired Baldessari to create the series ”Commissioned Paintings” (1969). He asked a friend to point at interesting objects, had the pointing process photographed and commissioned an amateur painter to copy the photographs. Under the paintings, a sign painter was asked to write “A painting by” followed by the painter’s name. These ”Commissioned Paintings” bear no traces of Baldessari himself and can be read as a comment on Abstract Expressionism’s conception of the artwork as a direct expression of the artist’s emotional life and genius.
Baldessari realised early on that a photographic image or different types of text could express his artistic intentions better than a painting. In his practice, he often brought together art-historical elements and popular culture to create unexpected juxtapositions. Hollywood and discarded black-and-white stills from film productions were a constant source of material. Later he started obscuring individual faces on photographs behind coloured dots, making the figures anonymous and allowing the gaze to be drawn to other parts of the image.
John Baldessari (1931–2020)
Baldessari was born in National City, California, a town located fifteen minutes from the border to Mexico. His parents were both immigrants to the USA – his mother from Denmark and his father from Austria. Since his first exhibition in the 1960s, John Baldessari has had over two hundred solo exhibitions and has participated in over a thousand group shows and despite maintaining that “you can’t teach art”, he supported himself with teaching jobs for long periods of time. In 1970 he was invited to teach at the art school CalArts outside Los Angeles. As a teacher, Baldessari came to influence several generations of artists, such as former students Mike Kelley, David Salle and Tony Oursler.
Read more about John Baldessari: Biography John Baldessari
Curator: Matilda Olof-Ors
Besök med skolan
Welcome to visit the exhibition with you school class! To avoid double bookings for guided tours, please contact our booking office in good time and notify us of the date of your visit. E-mail: booking office
Free admission for:
- School classes with pupils under the age 18 (with a teacher)
- Accompanying teachers and assistants
Book a guided tour or workshop
Combine your museum visit with a guided tour or an inspiring workshop session. We have different workshops for pupils 13 years and older, and 4–12 years old.
Read more about school visits: School