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Man standing at table

Runo Lagomarsino in his studio. , 2020 Photo: Lotten Pålsson

Artist takeover: Studio visits

Live-streamed tours


Come along on exclusive tours of artists’ studios! Artists represented in Moderna Museet’s collection will take over the museum’s Facebook account and live-stream from their studios all over Sweden and the world. There will be time for your questions during the live-stream. Are you curious about the artistic process? Do you wonder how an artist works or what the view from their studio is like? Come along and ask all your questions!
sitting woman surrounded of drawings
Kateryna Lysovenko, 2022 Photo: Courtesy of the artist

Wednesday 14 December: Kateryna Lysovenko

The artist Kateryna Lysovenko was living and working in Kyiv, Ukraine, when the war started in February 2022. Join us for a live broadcast on Instagram from her studio in Vienna, Austria, where she is now based.

Kateryna Lysovenko’s (b. 1989) media are monumental painting, painting, drawing and text. After the Russian invasion of Ukraine, she left her home in Kyiv and now works in Vienna, Austria. Hear her talk about her artistic work and life as a Ukrainian artist in exile. Gain insight into an artistic practice that explores the relationship between ideology and painting.

Lysovenko studied at the Grekov Art School (Odessa), the National Academy of Fine Arts and Architecture (Kyiv) and the Kyiv Academy of Media Arts. In her practice, she often examines how images of victims are created in politics and art, from antiquity to today.

Friday 13 November: Runo Lagomarsino

Live-stream from Malmö

In his works, he often starts with familiar, not to say traditional, forms, which he then attacks, shifts, transcends, scrutinises and confronts.

In the work ”America Amnesia” one of the Museum’s walls is stamped with the phrase ”America Amnesia” in long lines, covering the entire surface. The letters form signs, words, a phrase, a statement, and a pattern. By allowing the first letters to overlap, Lagomarsino both connects and dissolves them in one simple gesture.

Runo Lagomarsino is born 1977 and has been featured at the Venice Biennale, the Guggenheim (New York), Reina Sofía (Madrid), Malmö Konsthall, the São Paulo Biennale, and LACMA (Los Angeles). Lagomarsino was awarded the Friends of Moderna Museet 2019 Sculpture Prize. He is educated at the HDK-Valand – Academy of Art and Design in Gothenburg, at the Malmö art Academy and in New York. Lives and works in Malmö.

Watch the live-stream from Runo Lagomarsino’s studio on Facebook: Ateljébesök: Runo Lagomarsino | Facebook

aRtwork with black signs on white background
Runo Lagomarsino, AmericAmnesia (2017). Donation by MMV 2019. , 2020 Photo: Åsa Lundén, Moderna Museet

Friday 20 November: Katarina Pirak-Sikku

Live-stream from Jokkmokk

When exploratory blasting was carried out for mineral prospecting in Gállok/ Kallak outside Jokkmokk in northern Sweden 2013, this provoked protests in the region. Katarina Pirak Sikku witnessed the protests. During a police intervention, she spread large, white geotextiles in front of the protesters. When the police, demonstrators, the prosecutor and representatives of the mining company walked or drove across this surface, their tracks were documented. The textile thus became contemporary frottage, bearing the marks of the ground underneath and the events above it: the “earth’s testimony”. ”Gallók – Kallak”, 2013, is on display in Moderna Museet’s collection.

Artwork on floor
Katarina Pirak Sikku, Gállok Kallak, 2013. Photo: © Katarina Pirak Sikku Bildupphovsrätt

Friday 4 December: Kajsa Dahlberg

Live-stream from Oslo, Norway

In “A Room of One’s Own/A Thousand Libraries” Kajsa Dahlberg has perused every Swedish copy of Virginia Woolf’s feminist classic “A Room of One’s Own” that was available in Swedish libraries. She then traced and duplicated all the comments and underlinings that readers had made in these public copies, to make a new edition with manually transcribed reader comments from nearly fifty years of Swedish history. This new edition was printed and bound as an artist’s book in one thousand copies. Dahlberg points at the importance of the reading, and how reception and interpretation are an integral part of authorship. What she is interested in, and what Virginia Woolf was interested in, are the conditions under which women create. “A Room of One’s Own/A Thousand Libraries” is on display in Moderna Museet’s collection.

Pages from books
Kajsa Dahlberg, A Room of One´s Own, 2006 Photo: © Kajsa Dahlberg