Eija-Liisa Ahtila porträttfoto

Eija-Liisa Ahtila. Foto: Åsa Lundén/Moderna Museet

Biografi Eija-Liisa Ahtila

Eija-Liisa Ahtila bor och verkar i Helsingfors. Hennes verk har visats på bland annat MoMA, New York; Jeu de Paume, Paris; Tate Modern, London, och Kunsthalle Zürich. Hon har deltagit i ett stort antal internationella utställningar, däribland Venedigbiennalen 1999 och 2005.

UTBILDNING

1994–95
UCLA, Certificate Program, Film, TV, Theater and Multimedia Studies, Los Angeles [US]

1994–95
America Film Institute, Advanced Technology Program – specialkurser, Los Angeles [US]

1990–91
London College of Printing, School of Media and Management, Film and Video Department, London [GB]

1981–84
Fri konstskola, Helsingfors [FI ]

1980–85
Juridiska fakulteten, Helsingfors universitet, Helsingfors [FI ]

SEPARATUTSTÄLLNINGAR I URVAL

2011
Marian Goodman Gallery, New York [US]
Sørlandets Kunstmuseum, Kristiansand [NO]
Logomo, Åbo/Museet för nutidskonst Kiasma i samarbete med stiftelsen Kiasma som en del av Åbo Europas Kulturhuvudstad 2011 [FI]

2010
Marian Goodman Gallery, Paris [FR]
DHC/ART Foundation, Montreal [CA]
Parasol Unit, London [GB]

2009
Kunsten – Museum of Modern Art Aalborg, Ålborg [DK]
Temple Bar Gallery, Dublin [IR]

2008
K21 Kunstsammlung, Düsseldorf [DE]
Jeu de Paume, Paris [FR]

2007
Museum of Contemporary Art San Diego, San Diego [US]
GL Strand, Köpenhamn [DK]

2006
MoMA Media Space, New York [US]

2004
Intention to Fail, Berkeley Art Museum, Berkeley [US]

2003
Museion, Bolzano [IT]

2002
Fantasized Persons and Taped Conversations, Museet för nutidskonst Kiasma, Helsingfors [FI] och Tate Modern, London [GB]

GRUPPUTSTÄLLNINGAR I URVAL

2011 Expanded Art/Expanded Cinema, Moskvas museum för samtidskonst/Garage center för samtidskultur, Moskva [RU]

2010 Hareng Saur. Ensor and Contemporary Art, S.M.A.K., Gent [BE]
Biennale Cuvee 10, OK Center for Contemporary Art, Linz [AT]
Michael Stevenson Gallery, Kapstaden [ZA]
Limbicus, Bòlit-LaRambla, Girona [ES]

2009 4th Contour Biennale, Mechelen [BE]
Elles@Pompidou, Centre Pompidou, Paris [FR]
The Dwelling, ACCA, Melbourne [AU]

2008 The Bearable Lightness of Being. Exhibiton of Architecture – La Biennale di Venezia, Palazzo Pesaro Papafava, Venedig [IT]
In Living Contact, São Paulo-biennalen, São Paulo [BR]
11th Cairo Biennale, Giza [EG]

2007 Views from the Bosphorus, Istanbul Modern, Istanbul [TR]
Unidentified Emotions, Art Statements Gallery, Hongkong [CN]
The Present, The Monique Zajfen Collection, Stedelijk Museum CS, Amsterdam [NL]

2006 Beyond Cinema, Nationalgalerie im Hamburger Bahnhof, Museum für Gegenwart, Berlin [DE]
To See the World, to Feel with Your Eyes, LIAF – Lofoten International Art Festival 2006, Lofoten [NO]
2005 Ecstasy, The Museum of Contemporary Art, Los Angeles [US]
XXXXXI La Biennale Di Venezia, Italienska paviljongen, Venedig [IT]
K21 Kunstsammlung Nordrhein-Westfalen, Düsseldorf [DE]

2004 Busan Biennale 2004/Point of Contact, Busan Metropolitan Art Museum, Busan [KR]
Flick Collection, Hamburger Bahnhof, Berlin [DE]

2003 Future Cinema, ICC, Tokyo [JP]
World Rush_4 Artists, National Gallery of Victoria, Melbourne [AU]
Girls Night Out, Orange County Art Museum, Newport Beach [US]

PRISER

2009 Förtjänsttiteln Konstens akademiker [FI]
2008 Prins Eugen-medaljen [SE]
2006 Artes Mundi, Wales International Visual Arts Prize, Cardiff [GB]
2005 Pro Finlandia-medaljen [FI]
2000 The Vincent van Gogh Bi-annual Award for Contemporary Art in Europe, Maastricht [NL]
2000 Coutts Contemporary Art Foundation Award [CH]
1999 Hedersomnämnande av Guldlejonjuryn vid Venedigbiennalen [IT]
1998 Edstrandska stiftelsens stipendium [SE]
1997 AVEK-priset, Centralen för audiovisuell kultur, maj 1997 [FI]
1990 Årets unga konstnär, Tammerfors [FI]

OFFENTLIGA SAMLINGAR

Berkeley Art Museum [US]
Chara Schreyer [US]
Collection Flick [CH]
Collection Goetz [DE]
Collection Hans Oberrauch [IT]
Collection Helga De Alvear [ES]
Collection of Hauser & Wirth [CH]
Collection Olbricht [DE]
Collection Ringier [CH]
Dallas Museum of Art [US]
Ellipse Foundation [PT]
FNAC Fonds National d’Art Contemporain [FR]
K20 K21 Kunstsammlung [DE]
Kiasma – Museet för nutidskonst [FI]
La Caixa [ES]
Margulies Collection [US]
Marieluise Hessel Collection – Bard College [US]
Metropolitan Bank and Trust Collection [US]
Moderna Museet [SE]
MoMA, The Museum of Modern Art New York [US]
Monique Zajfen Collection [NL]
Museo De Arte Contemporáneo de Castilla y León [ES]
Musée d’art contemporain de Lyon [FR]
Museum of Contemporary Art San Diego [US]
Pamela and Richard Kramlich Collection [US]
Orange County Museum of Art [US]
Saastamoinenstiftelsens konstsamling [FI]
Myriam & Jacques Salomon [FR]
San Francisco Museum of Modern Art [US]
Stedelijk Van Abbemuseum, Eindhoven [NL]
Tammerfors Konstmuseum [FI]
Tate Modern [GB]
The Museum of Contemporary Art Los Angeles [US]
Finska statens konstsamlingar [FI]
Vancouver Art Gallery [CA]
Thea Westreich & Ethan Wagner Collection [US]

Privatsamlingar i Belgien, Finland, Frankrike, Grekland, Italien, Nederländerna, Schweiz, Spanien, Storbritannien, Tyskland, USA och Österrike.

BIBLIOGRAFI I URVAL

Ahtila, Eija-Liisa. Marian ilmestys – The Annunciation, text av Mieke Bal: ”The Moving Image as Witness”, Crystal Eye–Kristallisilmä Oy, Helsingfors 2011.
Dominique Paini, ”Eija-Liisa Ahtila, L’Anunciation. Galerie Marian Goodman”, Artpress 375, 2011, s. 88–89.
Eija-Liisa Ahtila – Where is Where? (utst.kat.), red. Ziba Ardalan De Weck, Parasol Unit Foundation for Contemporary Art, London, Koenig Books 2010, s. 1–120.
Eija-Liisa Ahtila (utst.kat.), red. Françoise Bonnefoy och Claire Bonnevie, Jeu de Paume, Paris, Editions Hazan/Hatje Cantz 2008.
Nancy Princenthal, ”In Times of Trouble”, Art in America 6–7/2008, s. 146–151.
Alison Butler, ”Feminist Film in the Gallery. If 6 was 9”, Camera Obscura 58, vol. 20, nr 1, Proof, Duke University Press Journals, 2005, s. 1–31.
World Rush_4 Artists (utst.kat.), text av Mieke Bal: ”What if? The Language of Affect”, National Gallery of Victoria, Melbourne 2003, s. 30–69.
Eija-Liisa Ahtila. Kuviteltuja Henkilöitä ja Nauhoitettuja Keskusteluja/Fantasized Persons and Taped Conversations (utst. kat.), red. Maria Hirvi, Kiasma, Helsingfors/Tate Modern, London 2002.
Adrian Searle, ”The Never-ending Story”, The Guardian, 30 april 2002, s. 12–13.
Chris Darke, ”Split Screen – Finnish artist film-maker Eija-Liisa Ahtila in conversation”, Vertigo, sommaren 2002, vol. 2, nr 3, s. 46–48.
Marcia E. Vetrocq, ”Eija-Liisa Ahtila Is Not Going Cracy”, Art in America, oktober 2002, nr 10, s. 3, 44, 130–134, 173 + framsida.
Eija-Liisa Ahtila: Anne, Aki i Déu (utst.kat.), red. Neus Miró, Fundació la Caixa, Barcelona 2001.
Jean-Charles Masséra, ”Intimite, verdure et blancheur éclatante. Représentations du vivre en famille dans les travaux vidéo d’Eija- Liisa Ahtila”, Parachute, Montreal, våren 1999, s. 32–39.
End of Story. The Nordic Pavilion, La Biennale di Venezia 1999 (utst. kat.), red. John-Peter Nilsson, text av Tiina Erkintalo: ”Between Self and Other. A Brief Look at the Art of Eija-Liisa Ahtila”, Moderna Museet/The Nordic Pavilion 1999, s. 58–81.
Beatrix Ruf, ”Hybrid Realities: Eija-Liisa Ahtila’s ’Human Dramas’”, Parkett, nr 55, 1999, s.154–163.

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