Pontus Hultén (1924–2006) and his activities have attracted a markedly increased interest in recent years. Research in the fields of exhibition history and curatorial practices is growing internationally. Moderna Museet is receiving more and more requests from scholars in Sweden and abroad regarding Pontus Hultén and the first ten years of the Museum’s history.
The purpose of the project
Since September 2015, we have engaged in the research project Pontus Hultén and Moderna Museet – research and learning based on an art collection, an archive and a library. The objective of the project is to perform an inventory and to process material in the Museum’s archives and collection with links to Pontus Hultén, and to explore the legacy of the legendary 1960s and its implications for the Museum today. By letting researchers analyse this material, we can deepen and expand our understanding of the period. The project is a continuation of the long-term initiative for research on Moderna Museet’s collection and history, and to present the results to the Museum’s large audience in exhibitions, catalogues, articles, symposiums and various events.
Who was Pontus Hultén?
Pontus Hultén was the director of Moderna Museet from 1958 to 1973. During his time at the Museum, he built the collection and the Museum’s international reputation, with exhibitions such as Movement in Art (1961), 4 Americans (1962), The Museum of Our Wishes (1963-64), and Andy Warhol (1968). In his will in 2005, he bequeathed his art collection (some 800 works), his library (some 7,000 volumes), and his archive to Moderna Museet.
The research project was launched in autumn 2015
The research project Pontus Hultén and Moderna Museet – research and learning based on an art collection, an archive and a library was launched in autumn 2015.
The project’s first book Pontus Hultén and Moderna Museet. The Formative Years (2017) was published in connection with the symposium Lose Yourself! in February 2017, at the Stedelijk Museum in Amsterdam. With a preface by Daniel Birnbaum and an introduction, it focuses on the years from 1956 to the mid-1960s, presenting five new articles on the exhibitions Inner and Outer Space (1965-66) and Movement in Art (1961), the avant-garde film festival Apropos Eggeling (1958), Pontus Hultén’s close friendship and collaborations with the artists Sam Francis and Claes Oldenburg, and the pedagogical activities in the Museum’s early years in connection with three exhibitions. In addition to the five articles, the book includes a previously unpublished text by Pontus Hultén himself from 1962, outlining his ideas on how a modern art museum should be run.
The second phase of the project focuses on the years 1966-1973, when Hultén left his position at Moderna Museet to head the modern art museum at Centre Pompidou in Paris. The essays also explore Hultén’s international career. The project is due to be completed in 2018.
The Pontus Hultén Study Gallery on the second floor features archive material giving unique insights into the work behind a few of the Museum’s most famous exhibitions.
The project group
The project is financed by the Swedish Arts Council’s funding for research on Central Museums. The research team includes in-house researchers Annika Gunnarsson (curator of prints and drawings), Ylva Hillström (curator, learning), and Anna Tellgren (curator of photography and research manager). The external researcher Anna Lundström, Stockholm University, works part-time on the project, and her assignment includes heading the process of assembling material from the archive for presentations in the Study Gallery.
Research project: Pontus Hultén and Moderna Museet
Published 22 April 2016 · Updated 20 November 2017