
Mats Hjelm, Fathers day at the Shrine of the Black Madonna, 2006 HD video, cinemascope, 5-channel sound. Participants: Jaramogi Menelik Kimathi, Holy Patriarch of the Pan African Orthodox Christian Church © Mats Hjelm. Courtesy Brändström & Stene
Mats Hjelm
This is particularly characteristic of the trilogy White Flight, Man to Man and Cape Atlantis. These works are to some extent a resolution of Hjelm’s own story – he grew up with a frequently absent father who was a documentary film-maker and bits of whose material he reuses. Simultaneously, however, Hjelm is also examining the concept of masculinity. Under the influence of power and violence, history and the present become interwoven by religion and spirituality, cultural forms of expression, political measures and conflicts. It is this theme which also recurs in Deliverance. The hierarchical structure of the story is broken down by a non-linear narrative and it is far from clear where history ends and contemporary life starts. In this way the structure of the visual form calls images of human memory to mind.
Music is the link that helps the works cohere. It represents what is both healing and redeeming. Hjelm is looking perhaps not so much for explanations but for reconciliation as a means of moving on.
Mats Hjelm
Born 1959 in Stockholm. Lives and works in Stockholm.
Education
1989–1990
Graduate studies in Sculpture. Cranbrook Academy of Art [US]
1985–1989
MfA in Sculpture, University College of Arts, Crafts and Design, Stockholm
Selected solo exhibitions
2005
Vox Historiska Museet, Stockholm
2003
Galerie im Taxispalais, Innsbruck [DE]
2003
BildMuseet, Umeå
Selected group exhibitions
2005
National Center for Contemporary Art, Moskva [RU]
2003
The New Contemporary Arts Center, Cincinnati [US]
2001
Uniform. Order and Disorder, PS 1 Contemporary Art Center, New York [US]
Selected bibliography
Florian Pumhösl ”Mats Hjelm: Trilogien” Springerin, Austria, 2003-03-01.
Lars O Ericsson ”Ett fullbordat farväl…” Dagens Nyheter, 2002-08-31.
Francesco Bonami, ”Mats Hjelm”, Flash Art, Italy, Mars – April 1999.